People went to clubs to hear live jazz they went in great numbers to jazz concerts/benefits - and, at the same jazz recordings were being brought into the country's living rooms to larger and larger audiences.
![thelonious monk john coltrane at carnegie hall thelonious monk john coltrane at carnegie hall](https://linkstorage.linkfire.com/medialinks/images/3ce9f578-ff38-48c9-875f-a1d046398e63/artwork-440x440.jpg)
It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of "legendary intensity" when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan "wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time." And, jazz had not "separated" from pop music. John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was "a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward." That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. The aforementioned artists' performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The first study of one of the most significant jazz releases of the twenty-first century, Thelonious Monk Quartet with John Coltrane at Carnegie Hall is essential reading for all jazz scholars, students, musicians, and fans.On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall.
#Thelonious monk john coltrane at carnegie hall professional#
Signature "sheets of sound" style, as well as into the influence of a strong side-man, like Coltrane, on Monk at his creative and professional peak. Offering in depth analytical discussions of each composition, as well as Monk's and Coltrane's improvisational performances he provides insight into Monk's impact on Coltrane as he developed his Most importantly Solis accounts for the music itself. Tradition and as a contemporary cultural form.
![thelonious monk john coltrane at carnegie hall thelonious monk john coltrane at carnegie hall](https://lastfm.freetls.fastly.net/i/u/500x500/2704650302bc449dbd2b10e62613aa47.jpg)
Because nearly a half century passed between when the recording was made and its public release, it is a particularly interesting lens through which to view jazz both as a historical Taking a wide-ranging approach to the recording, Solis addresses issues of "liveness," jazz teaching and learning, enculturation, and historiography. In this book, Gabriel Solis provides an historical, cultural, and analytical study of this landmark recording, which was released by Blue Note records later in 2005. Long considered one of the most important musical meetings in modern jazz, Monk's and Coltrane's work together during a scant few months in 1957 had, until this discovery, been thought to be almost entirely undocumented. In early 2005, an engineer at the Library of Congress accidentally discovered, in an unmarked box, the recording of Thelonious Monk's and John Coltrane's performance at a 1957 benefit concert at Carnegie Hall.
![thelonious monk john coltrane at carnegie hall thelonious monk john coltrane at carnegie hall](https://i.pinimg.com/originals/27/3b/e3/273be3322ae14296ca96f230e81e9ac4.jpg)
Recorded in 1957, but lost until 2005, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form. Thelonious Monk Quartet with John Coltrane at Carnegie Hall is an historical, cultural, and analytical study of the album by the same name.